When I was working on that article about A Far Cry, I was amazed at how easy it was to get the ear of a couple of local conductors for their takes on a conductorless orchestra. It really struck me how receptive they were to my inquiry, and how generous they were with their time and thoughts.
Contrast this to my auditioning-for-everything days, when it seemed like there were at least 14 layers of protective obfuscation around every music director in the world.
Yet one more confirmation that I'm supposed to be doing the writing thing more than the performing thing.
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